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The one bright point was Lee Chang-dong's fourth feature Secret Sunshine, which earned a Best Actress award at the Cannes Film Festival for the fearless performance of its lead Jeon Do-yeon.Although long considered one of Korea's top actors by the local press, this was the first opportunity for Jeon to really shine in an international spotlight.The film as a whole has been warmly received by local critics, but it has generated some negative reviews abroad, and its festival career has not matched that of its predecessor The President's Last Bang.Im admits to embracing a more mainstream archetype in this film, which may partly account for its mis-matched reception, but there are other issues here as well.Nonetheless, year-end statistics showed that Korean films only accounted for a little over half of ticket sales in 2007 -- its lowest level since 2002.Clearly, the Korean film industry was in need of a boost in 2008. Seoul population: 10.42 million Nationwide population: 49.1 million Market share: Korean 50.8%, Imports 49.2% (nationwide) Films released: Korean 112, Imported 280 Total admissions: 158.8 million Number of screens: 2,058 (end of 2007) Exchange rate (2007): 935 won/US dollar Average ticket price: 6247won Exports to other countries: US,283,339 (Japan: 27%) Average budget: 3.7bn won including 1.2bn p&a spend A socialist student activist named Hyun-woo and his colleagues are on the run from the police in the months after the Gwangju Massacre.

An unusual mix of politics and melodrama that ranges from 1980 up until the present day, The Old Garden represents a collaboration between two generations of anti-authoritarian artists: young director Im Sang-soo, known for his filmmaking talent and taste for controversy; and novelist Hwang Seok-young, a prizewinning author who spent the 1980s in exile and then served five years in prison in the 1990s for an unauthorized visit to North Korea.

Independently-produced films also injected a bit of energy into the autumn and winter, although perhaps not to the same degree as in 2006.

Milky Way Liberation Front, in particular, seemed to win over a large number of critics with its quirky charms.

Im's adaptation of Hwang's novel of the same name boasts some very strong casting, with Ji Jin-hee maintaining a nice air of unpredictability around the character of Hyun-woo, and Yeom Jung-ah being given the best opportunity to showcase her acting abilities since A Tale of Two Sisters.

The depth of talent in the large cast of supporting characters, many of whom are Im regulars, is also impressive.

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